Artist: The Corporation
Albums: Get On Our Swing / Hassels In My Mind
Released: 1970
Quality: mp3 CBR 320
Size: 121 MB
Collectors of rare psychedelic music may be the only ones aware of Milwaukee, Wisconsin’s, finest band of the late ’60s, The Corporation. Sure the band released its first record on Capitol and opened for The Cream as they blew through Middle America, but The Corporation both burned out and faded away long before they could enjoy widespread recognition. The U.K.’s Big Beat Records, long-standing champions of the re-release of forgotten and out-of-print vinyl in the CD format, have dug up The Corporation’s second and third releases – Get On Our Swing and Hassles In My Mind – on Wisconsin’s Age Of Aquarius Records. The package’s extensive liner notes are written by Wisconsin music authority Gary Myers. These nuggets reveal an ensemble that surely would have grown a following had the inevitable record company greed, money battles and chemical diversions not scuttled their plans.
Led by the handsome and talented singer Danny Peil, and backed by the Kondos brothers (multi-instrumentalist John on guitar, piano, flute, and harmonica and the younger Nick on drums), ferocious guitarist Gerry Smith, Hammond B-3 master Pat McCarthy and bassist Kenny Berdoll, The Corporation were quite adept at adopting the mind-enhancing sounds put forth by The Vanilla Fudge and Iron Butterfly. But The Corporation had designs on world domination beginning with Brew City and circling outward. Capable of wowing industry insiders and wigged-out fans alike, the band mixed hard psych pop with over-the-top six-string shredding and an ever-present organ’s Leslie-speaker swirl. The vocal harmonies were exceptionally tight and the lyrics dealt with the familiar themes of peace, love and altered consciousness. Songs shift direction without much warning and the musicianship is consistently impressive.
The Corporation had broken up by the middle of 1969, but they left behind an impressive body of work. This is a must-have release for those seeking out the best psychedelic music of the period. Maybe you didn’t think of traveling to Milwaukee to get your mind blown back in the day, but Big Beat has done a great job of showing exactly what you missed. - Mark Polzin
Artist: Tete Montoliu
Albums: Tete Montoliu Interpreta A Tom Jobim - Brasil Clásicos
Released: 1995 (recorded and originally released in 1974 as “Temas Brasileños”)
Quality: FLAC (tracks)
Size: 299 MB
An outstanding veteran pianist from Spain, Tete Montoliu was born blind. He learned to read music in Braille when he was seven and developed impressive technique on piano. He recorded with Lionel Hampton in 1956, had his first session as a leader in 1958, and played with the touring Roland Kirk in 1963. Through the years, he also worked with such visiting Americans as Kenny Dorham, Dexter Gordon, Ben Webster, Lucky Thompson, and even Anthony Braxton. Tete Montoliu's visits to the U.S. were very infrequent, but his SteepleChase albums (starting in 1971) are generally available; he also cut one date for Contemporary (1979) and recorded for Enja and Soul Note. ~ Scott Yanow, Rovi
Artist: Astor Piazzolla
Albums: 57 Minutos con la Realidad
Released: 1996
Quality: mp3 CBR 320
Size: 118 MB
A final release from Astor Piazzolla, recorded shortly before his death and edited for release following notes that he left behind. The work stems largely from a session in the BBC studios, and also from a recording session in Germany. The playing is wonderful here -- all of the pieces fit well together. The piano is especially brash, courtesy of Gerardo Gandini. One other notable item here: the inclusion of a second bandoneon to work with Piazzolla's own in the sextet. For fans of Piazzolla, this is a wonderful album. For those that aren't full fledged devotees, it may also serve as a decently good introduction to the deep world of nuevo tango headed by Piazzolla. ~ Adam Greenberg, allmusic.com
Susie Arioli is back with Christmas Dreaming, a brand new album to be released on November 2. True to her inimitable style, and still accompanied by Jordan Officer on guitar, Susie invents a very personal way of celebrating the Holidays with a Christmas album of bewitching charm. With over 200 000 copies sold worldwide between her five previous albums, Susie Arioli demonstrates once again her exceptional flair for selecting songs. The singer offers a choice of some great classics and some superb lesser known titles that she unveils with obvious pleasure. These infinitely alluring performances give off an irresistible warmth, heightened by the jazz and bluesy colours so characteristic of the Arioli sound. With its flowing rhythms, its hushed atmospheres and its carefully crafted arrangements, Christmas Dreaming evokes the holiday spirit with a formidable authenticity.READ MORE
Artist: various
Albums: Destroy That Boy! More Girls with Guitars
Released: 2009
Quality: mp3 CBR 160
Size: 71 MB
So you thought the Shangri-Las were a piece of work?! 'Destroy That Boy!' - a riot of bodacious all-girl bands, femme frat-rock, axe-backed babes and other similar females of the species from the 1963-1970 timescale - is the eagerly awaited follow-up to Ace's big-selling 'Girls With Guitars' set of 2004. Like its predecessor, the focus is on female bands that played their own instruments: say hello to the Debutantes, What Four, Pivots, Feminine Complex, She Trinity from Canada and Merseyside's very own female Beatles, the Liverbirds. The punky Toni McCann from Australia, Coventry's Beverley Jones and leather-lunged Sharon Tandy from South Africa add to the international flavour. Also included are nuggets produced by Lee Hazlewood (who else would have dared reinvent Hollywood glamourpuss Ann-Margret as a metal mama?), Jack Nitzsche (Karen Verros - imagine Lesley Gore highjacked by the Yardbirds), Steve Cropper (mysterious Stax duo Cheryll & Pam, one of whom was his squeeze at the time) and Sly Stone (the Girls, some passing ingénues backed by the Beau Brummels, no less). Compilation and notes by Mick Patrick.
There's a lot more Broadway and a lot more ballads than blues on this, which ranks as one of her weaker mid-'60s albums. Almost half the record features Broadway tunes on the order of Cole Porter and Rodgers & Hammerstein; most of the rest was composed by Bennie Benjamin, author of her first-rate "Don't Let Me Be Misunderstood," which the Animals covered for a hit shortly afterwards (and which leads off this record). The other Benjamin tunes are modified uptown soul with string arrangements and backup vocals in the vein of "Don't Let Me Be Misunderstood," but aren't in the same league, although "How Can I?" is an engaging cha cha. Besides "Don't Let Me Be Misunderstood," the album is most notable for the great "SeeLine Woman," a percolating call-and-response number that ranks as one of her best tracks. The CD reissue includes the strange bonus cut "The Monster," an odd attempt at a soul novelty tune. ~ Richie Unterberger
Artist: R. L. Burnside
Albums: Acoustic Stories
Released: 1997 (originally released in 1988)
Quality: mp3 CBR 320
Size: 81 MB
R. L. Burnside is notorious for his gritty, greasy Delta blues, as each of his records since his 1991 discovery have been blistering electric recordings. That's what makes Acoustic Stories so refreshing. Recorded at New York City in 1988 with harp player John Neremberg, the album balances originals with a handful of well-selected covers, including three John Lee Hooker tunes: "When My First Wife Left Me," "Hobo Blues" and "Meet Me in the Bottom." Burnside is more exciting when he's electric, but these are unexpectedly haunting recordings that prove he's not just about rocking the joint. ~ Thom Owens, allmusic